Brandishing a double-fisted guitar attack, plus a bass player who doubles on classical guitar, these guys got chops to spare. Riffs flow off their frets as effortlessly as water over a falls, yet each one packs the wallop of a mighty metallic crunch. There is no way to describe these songs than, well, epic. Check out the brief classical breakdown mid-way through the “Santa Croce Titulus,” followed by a lead that literally scorches through the disc, cutting through the lacquer spincoat like a laser slicing through a block of ice. “La Ultima Vista De Grendel,” features more riffs than could be found on in a lesser artist's whole catalog, each one mutating into the next with such impeccable timing and precision that the result is actually beautiful.
If there’s one possible drawback to massive world-wide acceptance (besides the fact that the lyrics are all in Spanish, which bothers me not at all) it’s the operatic vocals. Now by operatic, I don’t mean Bruce Dickinson or Robert Halford wailing, I mean operatic as in this guy can really sing, bellowing it out in a deep Heldentenor. At times, the contradiction of the voice and the music can be a little disconcerting, sounding as if you were backstage, listening to Placido Domingo doing vocal exercises at a Maiden concert. But fortunately, once you get accustomed to it, the music and voice meld together perfectly and when he digs into the deep reaches of his vocal range, gargling up a little gutturalness, with the band wailing out massive riffs in the background, it’s about as sublime as metal can get.
Undoubtedly, some will find this whole thing bombastic, but if you got the balls to try something besides the old tried and true in your metal, give Pagano a spin. Leave the Spanish dictionary at home. It’s not needed for this ride.
--RacerBuy here: Pagano
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