When I was a kid, growing up in a house with Cat Stevens,
Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's
"Detroit Rock City,"
it was a moment of musical epiphany. It was just so vicious, aggressive and
mean. It changed the way I listened to music. I've had a few minor epiphany's
since then, when you come across a band that just brings something new and
revolutionary to your ears.
What have been your musical epiphany moments?
Eddie:
The very first one for me that left a lasting impression was
prepping for an ice hockey game as a kid and someone put “Appetite For
Destruction” on in the dressing room to hype us up. It was my first exposure to
it and the whole vibe and sound hit me pretty hard. I instantly became
obsessed. From that day forward I started growing my hair and begging my folks
for a guitar. The rest is history... I’ve had many others since, but I’ll leave
it here.
Ben:
So many musical epiphanies... The Cure -
"Disintegration". Faith No
More - "Angel Dust". Nirvana - "Bleach". Pixies -
"Surfer Rosa"... I could go on for
days.
Laura:
I was fortunate enough to have a “Cool Aunt” who turned me
on to rock n’ roll at a young age. I
used to love when we would drive around in her car blasting Guns N’ Roses,
Appetite For Destruction. My cousins and
I would dance and head bang in the back seat and my jaw dropped when I first
heard Axl say “Why Don’t You Just, Fuck off”!
I loved that feeling of freedom and raw, wild energy......something I
never had experienced before when I used to just listen to Weird Al and
Madonna.
Ryan:
The first epiphany I had was in regards to Neil Young. My
dad listened to him a lot when I was growing up and I just didn’t get it. I
even saw Neil with Blind Melon and Pearl Jam in 1994 and being 18 years old I still
didn’t get it. It wasn’t until I had
lived a little bit that I began to understand the beauty in what he offers in a
song.
Talk to us about the song-writing process for you. What
comes first, the idea? A riff? The lyrics? How does it all fall into place?
Eddie:
For me it’s sort of a “channeling” sort of effect. There are
usually two common occurrences. One is hearing parts or entire songs in my
head. I will hear the entire instrumentation, no vocals. Most commonly while I
am sitting quietly in meditation or just waking up. I have six different
guitars hanging on the wall right next to my bed and others scattered around
the house, so I’m always covered. Another is when I really just let loose on
the guitar and let my soul do the talking. At that point I’m just watching it
happen. From then I typically try to organize the idea and record a demo of it.
I’ll play all of the instruments as I hear them and then present it to the band
and singer I’m working with to further mold and finalize it.
Ben:
With vocals I like to try to respond to a riff as naturally
as possible without thinking too much and find the melody, cadence, and vowel
sounds before writing lyrics. Then develop and refine.
Laura:
For this first album, the songs were already written by
Eddie. I did however add in some of my own parts as I got to know the songs
better. I usually like to build off the
existing guitar riff and hum bass lines to discover what I think sounds good. In the past I often got some of my best ideas
when I would be halfway in and out of sleep.
I’d hear the bass line running through my dream, then jump up and record
myself humming so it would be captured immediately.
Ryan:
I never have a typical place that a melody comes from.
Sometimes I hear a rhythm and will structure a beat that a riff later comes to
or I hear a riff and work it out on guitar or bass and then bring drums to.
Occasionally I dream a song and wake up to try to catch it before it slips
away.
Who has influenced you the most?
Eddie:
There’s a lot to list so I’m gonna just go with the very
first guys (guitar wise) that first inspired me to play and push myself as a
player back when I was 10 or 11 years old. Slash was the reason I initially
started playing guitar. Tony Iommi, Randy Rhoads, Jake... Zakk, Dave Mustaine,
Dimebag Darrell also stoked the fire very early on. The fact that all of those
guys (that are alive) are still going strong later in life is also really
inspiring to me.
Ben:
Mountains, adventures, animals, friends, family.
Laura:
The first female bass player that really blew me away at a
live show was Corey Parks when she was in the band Nashville Pussy. She’s even taller than I am and puts on the
most insane stage performance. I mean,
the woman blows fire into the audience mid set and is a true rock n roll queen
to the core. I don’t personally perform like she does, but she has always been
a huge inspiration for me to keep going with the bass.
Ryan:
That’s hard to say. Early on Van Halen was the prime
motivator for achieving excellence for me. I also believed that anyone could
accomplish what they did. I learned along my path that only they could do it
their way and I had to figure out what my way is. What’s coming up for me now
is Willie Nelson and here is why. He was pretty much considered a failure when
he “gave up” on Nashville and went to Austin to create music
for himself. He was 42 when he released Red Headed Stranger which was his
break. The lesson is create music for yourself and never give up. Don’t listen to critics.
Where do you look for continuing inspiration? New ideas, new
motivation?
Eddie:
Inward. All of “my” best ideas and inspirations come as a by
product of regular meditation practice or spending time alone. I do also enjoy
improvising on the spot, jamming spontaneously and letting it all fly. A lot of
times, those can produce some magic for me.
Ben:
Experiences in nature, animals, and to anyone that tries to
do something well with feeling.
Laura:
Nowadays it’s so easy to watch YouTube videos of cool
interviews and live footage. Hearing
about other people’s process, struggles, inspirations and vulnerabilities while
also seeing their live performance serves as a huge inspiration and learning
opportunity for me. At live shows, you
can find me right up front by the bass player, soaking it all up. I love that we are all so different which is
great!
Ryan:
I still look in the same places. I’ve never given up on my
love for progressive hard rock. The bar was set so high with players from the
70’s and 80’s that I still am working on techniques these players had. So, as a
music instructor I’ve been digging into my books and just hammering skills. I
find through learning new tricks come new ideas
We're all a product of our environment. Tell us about the
band's hometown and how that reflects in the music?
Eddie:
I think that may be only partly true in our case. Portland is a pretty
amazing place that has loads of culture, music, art and nature going on. There’s
a reason we all chose to live here, but at the same time I feel like we are
each pretty strong willed individuals who don’t really allow outside influences
to dictate who we are and what we do for the most part. One of the things I do
really like and identify with is that most people here seem to be doing their
music and art for the right reasons. Doing it from the heart and are not
concerned with trends and fads that are going on or whether or not they will be
popular. Then there is a whole cliquey, hipster type of element to the scene
here to which I roll my eyes and yawn at.
Ben:
I grew up in rural Oregon
and have lived in Portland
on and off since the mid 90s. I have a deep connection to the NW that reflects
in the music through the influence of grunge and also my connection to the
landscape comes out some in the lyrics.
Laura:
I grew up in Portland
and was immersed in the rock world since I was a teenager going to underage
shows. Once I picked up the bass at age
19, I always felt encouraged and welcomed by the rock community. What I’ve always liked about this town is
that really, anything goes. People here
seem to genuinely be passionate about their music, loyal to their band,
authentic and really don’t give a fuck if you don’t like it. Most of us aren’t trying to follow some set
formula for success. We do this because
we love it and we genuinely connect to our own songs. It also helps that it rains here most of the
year, so we are inside a lot writing, recording, practicing and playing shows. The cold, dreary days help with the creative
process.
Ryan:
Well there is no way that this is not going to offend
someone so to those people I say “not everything is about you”. I don’t believe
that our sound comes from the city of Portland.
We just happen to be here at this time. I grew up in the mountains of North Idaho in the Regan 80’s. It was a fucked up place
for a sensitive kid to land. In the
middle of sawmills, social detachment and extreme prejudice. That place may
have a beautiful landscape but what I was craving was social diversity, art,
music, metropolis…. What I felt was
disparity, intolerance, despair, disconnection.
I was angry about it, so I escaped into music. That sets the tone for what comes out of
me. Portland is not like that at all. It used to have this creative energy that
seemed to emanate from all places at all times. We’ve tapped that out. Now
there is a wave of conscience here that feels had, that feels entitled, that
feels that they are owed something and that by shining a light on every persons
shortcomings somehow we are proving that we are better than you. Fuck those
people. I am not one of them. Portland
is just where I collect my mail, for now.
Where'd the band name come from?
Eddie:
I stole it from a good friend of mine Luciano Ferrea, who
had played bass in several bands with me in the past. He mentioned it one day
and I instantly thought it was a great band name and thought of all kinds of
mythology concepts that could be associated with it. Though I have my ideas of
the meaning behind it, I want to keep it open ended and let people come up with
their own reasons for being drawn to it.
Ben:
Laura:
Eddie already had the band name picked out before I joined.
:)
Ryan:
Edward
You have one chance, what movie are you going to write the
soundtrack for?
Eddie:
Oh wow… tough to think… Maybe doing the little shred parts
for Bill & Ted’s could be pretty fun. Could also see myself scoring an
entire film of some sort but can’t think of a specific title..
Ben:
Anything by David Lynch, Tarantino, or Werner Herzog.
Laura:
I would be into doing the soundtrack for the movie Basket
Case which is my favorite, super weird and funny horror film from the 80’s.
Ryan:
Mad Max. The 1979
film.
You now write for a music publication (The Ripple
Effect?). You're going to write a 1,000
word essay on one song. Which would it be and why?
Eddie:
Of off the top of my head... I’m gonna say “Halo Of Flies”
by Alice Cooper. So much amazing shit going on in there, to dissect it would
take at least 1000 words.
Ben:
Miles Davis - "Bitches Brew" title track. It's a
27 minute long masterpiece.
Laura:
Megadeth, Holy Wars.....because Holy Shit....that song is
insane!
Ryan:
Saints In Hell by Judas Priest of the Stained Class album.
Musically it doesn’t get much better than that. Killer riffs, great rhythm
section, soaring diverse vocal melody, deep lyrical content, epic battle style
solo/non solo section, sick production, full story and conclusion. These are
the kinds of songs that I would love to write over and over again. Perfect.
Come on, share with us a couple of your great, Spinal Tap,
rock and roll moments?
Eddie:
In most recent memory, I’d have to say the time it took me
two fucking minutes, on stage in Seattle,
during a song, to figure out why my guitar wasn’t making any noise. I swapped
out cables, unplugged every pedal… everything. Turns out it was the guitar.
When is it ever the guitar?! A first for me. Got it all sorted just in time for
the guitar solo though, it was a pretty triumphant return!
Ben:
Love that movie!
Laura:
My Spinal Tap moment was when I decided to do a four day
Ayurvedic cleanse that involved taking a laxative on the final day. This was right before leaving for a mini
tour. Not good on so many levels!
Ryan:
I was playing a big show opening for Red Fang. Was super excited about it and right in the
middle of the first song I put a hole in my LEFT bass drum. One of the other bands brought up a double
kick pedal to use. It fell apart on me
too. Super defeating and a huge ego
blow. I guess that is my version of the
Pea Pod scene during Rock N Roll Creation.
Poor Derek.
Tell us about playing live and the live experience for you
and for your fans?
Eddie:
I think that the four of us put a lot of work into making
sure that when we come out on stage we have all guns blazing. It’s amazing
experience letting your soul loose like that, and an even better one when you
feel everybody’s positive energy coming back at you. It Takes you to a whole
other level of existence.
Ben:
Playing live or watching a band play live can be one of the
best things in life. There's usually a fair to a large amount of sweat
involved.
Laura:
I still get super nervous before shows, mostly when they are
spaced out a month apart but once I get out on tour and am playing nightly, I
really start to find my groove. I love
the positive feedback loop of sharing my energy and passion with the audience
who equally shares their energy and appreciation of the music back with
me. It’s a beautiful exchange!
Ryan:
Each time is a really unique experience. One thing I’ve
learned over the years is to have ZERO expectation of what the night might be
like. I can be totally prepared and botch something big. I can go into a show feeling very “why are we
even here” and get blown away by the response of the people there. I do my best to just enter the space with
humility and determination. Give
everything that I can to the moment and not worry about wether or not someone
is enjoying what we do. If I enjoy it most of the time others will too.
What makes a great song?
Eddie:
To me, how it makes you feel. I can’t say there’s a set
formula as far as I’m concerned. All I know is I know it when I hear it.
Ben:
Honesty, Originality, Talent.
Laura:
If it makes you move and penetrates your soul, then its good
for you! It’s an individual experience.
Ryan:
Honesty. If someone
is following a formula I can smell that shit out. Fuck modern pop music.
Everything is written by like 5 guys? Bullshit.
Tell us about the first song you ever wrote?
Eddie:
The first one I can really remember writing all the way
through was an acoustic instrumental piece. It was was something along the
lines of “Blackbird” by the Beatles, or “Dee” by Randy Rhoads but nowhere near
as good.
Ben:
I wrote a song called "Mushroom Julius" with some
friends in high school. I'll never forget that one...
Laura:
Ha, well the FIRST song I ever wrote was when I was very
young. I was obsessed with Weird Al and
basically wanted to be him. So I would
write my own parody songs, playing them on the keyboard and performing them for
my family. The first one I can think of
off the top of my head was “Under The Toilet” inspired by “Under The
Boardwalk”.
Ryan:
I will not. That shit was garbage. I will tell you that it
made me realize that it was harder than I first thought. But I overthink
things. I wish I could write like Kurt Cobain or John Lee Hooker. Grab one fucking thought and make it your
bitch.
Wouldn’t you believe it? It’s just my luck. No Recess.
What piece of your music are particularly proud of?
Eddie:
I’m really proud of this 111 album as a whole. I put a lot
of work in putting this band together and a lot of heart and soul into writing
these songs, recording, producing, engineering and mixing the album. It’s been
a labor of love and a touching experience having it all come to fruition and
seeing the positive feedback and support we’ve been getting thus far. I’m
really proud and grateful to be making music with these people.
Ben:
I'm proud of the whole album.
Laura:
I’m very proud to be in HDC and for our debut album
111. The guys in this band are all
incredible musicians and it’s really pushed me to become better myself. I’m looking forward to what we will create
next!
Ryan:
When we initially recorded the material for 111 the songs
were pretty new still and so a lot of what came out was more responsive than
premeditated. Some of that is really cool and it captures a vibe that we had at
that time. Upon further examination down the road we could see that some of
that material needed to be revisited. I think that what I was able to arrange
for Unborn was pretty slick. I’m proud to have that recording out there.
Who today, writes great songs? Who just kicks your ass? Why?
Eddie:
Of this newer generation of heavy rock type stuff Uncle Acid
& The Deadbeats really stands out to me. Particularly their “Blood Lust”
& “Mind Control” albums. They’ve just got that “something” to me that a lot
of bands are lacking these days. They’re not super complex, but I find what
they do really tasteful and a lot of their tunes hit the spot for me.
Ben:
Helms Alee has been ruling me lately. So much originality,
variety and depth. I also hear that NW influence in them which I am immediately
drawn to.
Laura:
Lately I’ve been exploring King Gizzard and The Wizard
Lizard and I’m super impressed with how many albums they have put out in such a
short amount of time as well as how diverse they all are. Their upbeat stuff is
super great driving music.
Ryan:
King Gizzard And The Lizard Wizard is blowing my fucking
mind. They keep coming out with new albums like every 6 months and they are
doing it while not sticking to one particular genre. They are doing whatever
the fuck they want at all times. I love it.
Vinyl, CD, or digital? What's your format of choice?
Eddie:
I might actually go with cassette tapes even though not
listed, ha! I grew up on them and theres something cool about that sound. Its
really nostalgic in a good way to me. I do enjoy all formats though.
Ben:
I appreciate the vinyl but i mostly go digital for the
instant gratification and clutter reduction.
Laura:
Vinyl is beautiful and my favorite artistically but I’m
always on the go, traveling, hiking, walking my dog etc, so digital is a must for
me.
Ryan:
I prefer vinyl for the sound, the feel, the look. I do love
a great sounding CD though too. As long as it sounds good I don’t care where it
comes from. I don’t have a CD player at home but I also don’t have a turntable
in my car.
Whiskey or beer? And
defend your choice
Eddie:
Weed. Never been a big drinker…
Ben:
I appreciate a good Bourbon but I love Beer.
Laura:
I don’t drink much anymore but I’ll take a smoky, aged
whiskey on the rocks that tastes like an old leather jacket sitting by a
campfire with a craft beer back to wash it down.
Ryan:
Coffee with cream and sugar. Keep em coming.
We, at the Ripple Effect, are constantly looking for new
music. What's your home town, and when we get there, what's the best record
store to lose ourselves in?
Eddie:
Music Millennium
Ben:
Music Millennium
Laura:
Music Millennium and Second Avenue Records will have you
covered!
Ryan:
Music Millennium. No question.
What's next for the band?
Eddie:
More music, more tours, more good times, more creating, more
growth.
Laura:
We are already working on new songs for our second
album. We also plan to tour as much as
possible and really want to get on a European tour by next year!
Ryan:
More of everything.
Any final comments or thoughts you'd like to share with our
readers, the waveriders?
Eddie:
Thank you all for reading this and giving a shit about our
band.\m/
Laura:
Thank you to everyone out there who has supported our
band! We love and appreciate you all!
Ryan:
Be excellent to each other.
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