Aaah, Beelzefuzz are back with their sophomore release, and I couldn’t be
more stoked. Obviously, I was concerned what it would sound like, which I
always am when a favourite band are about to unleash a new recording. I think
that’s only normal since you, as a supporter, want your main squeezes to
emulate their previous work, at the very least. Any inkling shadow of a doubt I
had, however, was firmly squashed. Instead, Beelzefuzz took me, and still takes
me, on one of the most amazing music journeys I’ve ever had a chance to partake
in. The band has gone through some changes since last time which has played a
huge factor in the creation of this amazing wax. Greg Diener from Pale Divine
has been brought in on lead guitar and vocals and Bert Hall from Mangog,
Revelation and Against Nature is the new bass player. And their presence has
allowed Dana Ortt(vocals, guitar, effects) and Darin McCloskey(drums) to create
something truly celestial, yet dark and spaced out. This is music, never heard by man
before.
Before playing ‘The Righteous Bloom’
for the first time, I was told it might take a few spins to grasp it since it
apparently is a “difficult” album. After that first listen I shot that
sentiment down right away because I loved what I heard immediately, thinking
there’s nothing difficult about it at all. However, once I began writing this
review I started to pull my hair in frustration. Why, you ask? Well, simply
because this album is a chameleon. What I mean is that with every spin all the
songs have changed character somewhat, bringing something new to the table. And
I love that because it shows the beauty and the magic the band creates in full.
But from a reviewing standpoint? Don’t know how many times I’ve rewritten many
parts after reading them flabbergasted that my words didn’t represent the music
at all. Eventually the songs fell into place and I think I found a silver
lining. So here it goes, waveriders. Read on and marvel at the amazing world of
Beelzefuzz and the journey of the mind and life they are about to take you on!
As we take off, ‘Nazzriff’ and ‘The Soulless’ are the catalyst and the
ignition that guides us into the realm and other-worldly state of mind that
Beelzefuzz wants us to experience, a journey of life, if you like. Fat riffs,
thunderous bass lines, groovy and heavy-hitting drums make the entrance smooth
and quick. No sooner has this new dimension closed its doors on us, when the
journey really begins. Acting as a bridge between the initiation and the descent
into the soul cleansing stage of this expedition, ‘Hardluck Melody’ digs deep into our souls and sits perfectly
between these first two steps. ‘Rat
Poison Parfait’ slowly, yet swiftly starts the process of pulling our
psyche apart piece by piece. Burrowing deep within, nasty dark matters are
unearthed that have been left lurking in the shadows for too long. Now the task
falls on us listeners to deal with it. Hitting the bottom of the abyss – our
minds – with ‘Eternal Waltz’,
Beelzefuzz shines a guiding light by allowing us to mellow out, as well as
giving glimmers of hope. Leveling the tempo also stops the decent and this
continues in ‘Within Trance’. The
only difference is that now you can feel yourself getting stronger, your
resistance is not only pushing the dark matters aside. It annihilates it.
Having conquered the inner struggle, ‘Nebulous’
catapults us back into life. Soaring, floating, pushing, the song leads us on
as stronger, new individuals. The title track, ‘The Righteous Bloom’ explodes in a cascade of millions emotions as
the reborn – us – reenters life with clear, conscious minds. We’re in full
bloom – no pun intended – and have a calmness of unknown qualities about us
which heightens the sensations this new world brings. As the title implies, ‘Sanctum And Solace’ is about
contentment. After absorbing the wonders of ‘The
Righteous Bloom’, we are now at ease with who we are, who we’ve become.
After rebirth, the end of life is drawing near but fear is gone and we embrace
whatever the cycle of life throws our way. It’s time for another journey. All
the preparations made during the first trip comes in full use in ‘Dying On The Vine’. A tumultuous, yet
serene second adventure brings a lot of comfort as we die in the world as we
know it. But despite all the preparations, uncertainty lingers since we
really don’t know what lies ahead…if anything does. There is no need to worry
though as the final step, ‘Peace Mind’
eases us into a new, brilliant kind of existence. It’s a place of sheer
peacefulness where those of us who made it through, can forever relax and take
in the peace of mind ‘The Righteous
Bloom’ represents.
The band’s progressive and psychedelic leanings goes into full bloom on
this, their second release. Since Greg is now taking care of the lead guitar
parts as well as most of the “regular” rhythm playing, this is where Dana’s
experimental side blossoms. Playing keyboards and organs with his guitar
through pedals and effects, his partnership with Mr. Diener gives so many
dimensions to the music that wasn’t possible before. Also, Dana’s vocal
performance is beyond words. At the same time, Darin McCloskey and Bert Hall feed
off their partners’ newfound freedom by holding everything together with a
tight, yet relaxed and joyful rhythmical foundation that oozes class and total
freedom. Oh, almost forgot…listen to Greg’s solos. They are outer-worldly and
probably the best I’ve ever heard him play. Truly amazing!
To me, Beelzefuzz is a deity of unrivaled proportions in the world of
music. Their brand new album, ‘The
Righteous Bloom’, is an omnipresence and clearly shows that timeless,
eternal music, free of any shackles or restraints, is still alive, well and
very prosperous. Don’t ignore one of the best albums that has been
released…ever. It’s that damned good!
-Swedebeast
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