Thursday, November 23, 2017

Throbbing Gristle: 40th Anniversary Event at Rough Trade NYC

Photo: Throbbing Gristle



Mute and Rough Trade are pleased to announce a special Q&A and signing with Genesis Breyer P-Orridge of Throbbing Gristle at Rough Trade NYC on November 24. Moderating the discussion will be T. Cole Rachel of The Creative Independent. The Brooklyn event follows a similar occasion held earlier this month at Rough Trade East in London with Throbbing Gristle’s Cosey Fanni Tutti and Chris Carter. Further information regarding the Brooklyn Q&A and signing is available here.

The Rough Trade event coincides with the first in a series of reissues on Mute, starting with the 40th anniversary of their debut album release, The Second Annual Report.

On November 24, The Second Annual Report, presented as a limited edition white vinyl release in the original packaging and also on double CD, and 20 Jazz Funk Greats, on green vinyl and double CD, will be released along with, The Taste Of TG: A Beginner’s Guide to Throbbing Gristle with an updated track listing that will include “Almost A Kiss” (from 2007’s Part Two: Endless Not). This will be the first time The Taste Of TG has been available on vinyl and will be presented on double red vinyl alongside a CD and digital release. For those not attending the Rough Trade event, stream and order the reissues via the links below.

The Second Annual Report
20 Jazz Funk Greats
Taste of TG

The Second Annual Report, the first album from Throbbing Gristle, came out originally on November 4, 1977 and launched the career of one of the most politically and sonically antagonistic bands of all time.

Throbbing Gristle are Chris Carter, Peter 'Sleazy' Christopherson (who sadly passed away on November 25, 2010), Cosey Fanni Tutti and Genesis Breyer P-Orridge. Their impact on music, culture and the arts is immeasurable and still felt today.

November’s anniversary releases will be followed by further catalog releases in 2018.

TBC 2018
D.o.A. The Third And Final Report
Heathen Earth
Part Two: Endless Not
Mission Of Dead Souls
Greatest Hits
Journey Through A Body
In The Shadow Of The Sun

2017 saw Throbbing Gristle’s catalog available on streaming services for the first time. Mute and Throbbing Gristle will continue the reissues series, creating previously unreleased box sets and making available long out-of-print and important pieces of work.



STB Records Celebrates 5 Years!

Its True!! STB Records is going to be 5 years old! How insane is that!! To celebrate I am putting everything in the STB Records store ON SALE for 30% off!! EVERYTHING!. Not only that, every order will get a FREE copy of an unreleased version of one of my records!! That is right! FREE VINYL!! People First! This is relationship business not show business...

I want to extend a heart felt thank you to each and everyone of you who have supported wheather it be from day 1 or just this week. You all are equally important and help STB Records continue to grow and pursue its mission to create a movement. This fight has no meaning unless we ALL grow together. So again, Thank you from the bottom of my heart.

Stay Punk in your minds and Heavy in your hearts.

Steve STB

TOKE "Orange"
STB - 28 TOKE - ORANGE - On Sale Saturday Dec 9th 12 noon EST

STB 28 - TOKE "Orange" - Repress comes with 2 new VINYL ONLY TRACKS

    Sunshine of Your Love - Originally by Cream
    Limb from Limb - Originally by Motorhead

Rick Contes from “Young And In The Way” did guest solos on limb from limb!

Test Pressing - 15 units - Comes hand numbered with a SUPER exclusive laser etched WOOD cover.

Die Hard -75 units - 180g vinyl - Half Transparent Orange / Half Clear - with black splatter in a heavy weight euro version jacket with two diff color foil stamping.. Comes with an exclusive TOKE "Orange" cast ring, a 4ft x 4ft TOKE "Orange" silk banner, and a TOKE "Orange" Back patch for your battle vest!

OBI Edition: - 100 units-  Clear with a black center and orange splatter. Printed OBI Strip - Made to look like "Toke Brand" rolling papers. hand numbered. Jacket with - spot UV

Standard Edition - 125 units-  Clear with black and orange splatter Jacket with - spot UV

Save your alarms and mark your calendars. These will go FAST!

Wednesday, November 22, 2017

The Xroadie Files

Deathcrush – Hell
Luigi Cara – Vocals/Bass, Andrea Sechi – Guitar, Giampiero Serra – Drums

Incest Of The Wretched is Slayer thrash with death metal vocals and blast beats.  Eucharisty Of Worms more annihilation of sounds and grinding riffs.  Lost In The Vortex of Heretics just grinds thru you and tears you apart.  Blasphemik Souls has more of a classic metal riff then the deep vocals just pound into your very being.  Dethroned Archangels is Metallica meets Slayer meets Death.  Mors Mori 3002 evil slowly builds into Crowning The Beast which just grabs you and slams you to the ground over and over.  Spreading The Chaos is just that, a chaos of sounds that just runs you over. King Of Rats keeps up the blast beats and fast riffs along with the demonic vocals.  Deny The Cricifix starts slow and steady boring into your very essence and dragging you to hell.

Diuna – The Very Best Of The Golden Hits
Maciek Klimiuk, Patryk Mitzig, Jakub Didkowski, Konstanty Mierjewski

Smiec W Czerwcu is a very blues based stoner style of song that just has your head a bobbin and feet tappin that also has some interesting twists and turns.  Klamstwa Szatana is blues mixed with stoner mixed with psychedelia very interesting to sit back and trip to.  Uczta is mid-tempo song that has a very Sabbath style to it.  Zielony Syn slow steady and plodding with rough deep vocals.  Szron has a guitar riff that is Hendrix meets Stevie Ray Vaughn with a slow bluesy riff with a very strange ending.  Afekt Bladawy blues meets stoner meets psychedelia.  Filozofia Dialogu a fast tempo bluesy rockabilly riff mixed with stoner rock vocals has a Motorhead sound to it.  Telmo Sisso slow and melodic then a grinding riff moves in and goes back and forth for 9 minutes of pure musical tripping. 

Eccentric Pendalum  - Tellurian Concepts
Vibhas – Drums, Ankit – Guitar, Arjun – Guitar, Arun – Bass, Kaushal – Vocals

Tellurian I Nil strange sounds and moods that just make you trip away to a far place.  Tellurian II Accelerated Extinction old style Pink Floyd psychedelia with death metal vocals strange and different.  Tellurian III Contrivance is more of a metal riff with some blast beats and prog keyboards very different.

Fragarak – A Spectral Oblivion
Supritam Sen – Vocals, Kartikeya Sinha – Bass, Arpit Pradhan – Guitar, Ruben Franklin – Guitar, Louis Rando – Drums

In Rumination 1 The Void excellent acoustic guitar then a riff that melds in with some deep evil vocals in the background that slowly move their way to the front then back to the acoustic guitar.  In Rumination II Reflections melancholy and moody with some very evil intent.  The Phaneron Eclipsed more great acoustic guitar work with choral vocals the music builds and builds along with some demonic vocals.  Alucinari 1 Transcendence a classical style of song that melds into Fathom Of Delirium which is a straight forward death metal song with some prog elements.  Alucinari II Revelations is a very folky style of song that leads into Spectre An Oblivion Awakens that is classic progressive death metal with a few twists and turns.  Alucinari III Reverie is a great acoustic melancholy style of song to just drift along with.  This Chastising Masquerade is death metal screams and heavy riffs that just pound you into the ground.  Of Ends Ethereal 12 minutes of just pure progressive death metal with many changes that take you down a weird winding path.  Alucinari IV   The Fall acoustic guitar and spoken words that drift off into the distance.

Invertia – The Crimson Screen Vol 1

David Coppola- Guitar/Bass/FX/Samples, Tim Winson – Drums/Programming/FX/Keyboards

Lykanthropos in your face rammed down your throat death metal with vocals from the depths of hell. Cast No Shadow weird sounds building with a strange riff and deep growling vocals.  Face On His Face industrial sounds and a rumbling bass that builds till it rips your face off.  Created From Cadavers more industrial sounds and tv sounds with weird heavy riffs that just kick you in the teeth.


Tuesday, November 21, 2017

BLACK WIZARD: Heavy Metal/Stoner Rock Collective To Release Livin' Oblivion Full-Length This February Via Listenable Records; Artwork And Track Listing Revealed

Canadian heavy metal/stoner rock collective BLACK WIZARD will release their brand new full-length Livin' Oblivion this February via France's Listenable Records. Their second release on Listenable and fourth album overall was produced and engineered by Michael Kraushaar in Vancouver, BC, and comes sheathed in the cover art of renowned Berlin, Germany-based illustrator Eliran Kantor (Testament, Crowbar, Satan).

Livin' Oblivion centers itself on the obliteration or slow decay of one's self, morals, and life as we know it. "We are living in an age where the powers of the World are taking steps backwards and moving away from a positive future," the band elaborates. "There is a large number of disenfranchised youth and young adults that would rather live their lives in oblivion -- drinking, drugs, partying etc. -- than chasing any kind of future or dreams, simply because the rest of the world seems to be falling apart around them." 

Further info on BLACK WIZARD's Livin' Oblivion, including final release date, teaser tracks, and preorders, to be released in the coming weeks. Stand by.

Livin' Oblivion Track Listing:
1. Two Of These Nights
2. Feast Or Famine
3. James Wolfe
4. Livin Oblivion
5. Cascadia
6. Portraits
7. Poisoned Again
8. Heavy Love
9. Eternal Illusion

Hailing from Vancouver, BC, BLACK WIZARD was forged in 2009 between high-school friends. Some years and personnel changes later, the band is going stronger than ever. Founding members vocalist/guitarist Adam Grant and drummer Eugene Parkomenko were both working underwhelming construction jobs at the time, passing the days to the sounds of Thin Lizzy, Deep Purple, Witch, and Electric Wizard. Today Parkomenko and Grant are accompanied by guitarist Danny Stokes and basisst Evan Joel. Having followed a true DIY aesthetic, the band has released three full-length LPs along with a 7" single independently and sold over five thousand copies worldwide. In classic WIZ fashion, Livin' Oblivion has evolved from their previous efforts boasting a bigger, heavier, sharper, and louder approach than ever before. Faster thrash elements have been added, while staying true to that sultry, Thin Lizzy-esque twin lead vibe throughout.

Since their first Listenable album release, New Waste, in early 2016, the band has toured non-stop including a Canadian mini-tour with Red Fang, a six-week stadium tour with Killswitch Engage and Volbeat, a month-long US tour supporting Brant Bjork and Royal Thunder, a month-long North American tour supporting Weedeater, and so much more. At home on the road, BLACK WIZARD is ready to take to the streets again kicking 2018 off with their fourth European run.

Adam Grant - vocals/guitar
Eugene Parkomenko - drums
Danny Stokes - guitar
Evan Joel - bass

Doomstress To Release Second Rite EP via No Slip Records on December 1st!

Texas doom metallers Doomstress are set to release their new EP, The Second Rite on CD via No Slip Records on December 1st.  The EP contains remixed versions from the original, very limited self release and 7" DHU single.  The EP also features the new song "Bitter Plea" which was recorded at the end of the Wicked Summer tour and featuring additional rhythm guitar by guitarist Joe Fortunato (Sparrowmilk/Venomin James/ex-Ancient VVisdom).  The artwork was done by renown psychedelic artist, Goatess Doomwych.

Song List for The Second Rite EP CD via No Slip Records:
1-Way of the Mountain
2-Bitter Plea
3-Rainbow Demon*
4-Sleep Among the Dead
5-Wicked Woman**(7" version: CD only bonus)

*Uriah Heep cover 1972
**Coven cover 1969

Monday, November 20, 2017



This progressive rock trio from Cincinnati, OH features Karis Tucker (voice), André Machado (8-string guitar, bass), and Henry Conde (synth, piano). Guest musicians include Julio Oliveira on drums, Ander Peterson on saxophone, Soojin Kim on piano, and with lyrics by Diogo Oliveria. With 2016 being the official start to the band, this new EP continues on and expands from the first single “Reality.”

Oculus is meant to be listened to in one sitting to absorb its power and meaning with the main theme being about reconciling the individual’s outer persona with their inner self running through the four songs on the EP.  Opener “You” starts acapella and then the piano comes in to make a song that reminds me of a Depeche Mode quiet piece. “Gold Spectrum” is an avant garde jazz piece with wailing and squawking sax and discordant sounds that bring to mind the Contortions. “The Fear Peddler” has a more strait forward sound than the previous song and adds some interesting spaciness in the sound, kind of like drifting in the sky high above the earth. Finishing with “Identidade,” a quiet, yet powerful song that has sweet vocals and a haunting piano that grabs your ears and pulls you into the depth of the song.

A very interesting EP that will have you putting on your headphones to listen to so that you don’t miss one bit of sound that they have produced here. From beauty to quirky and back to beauty all in under fifteen minutes, and fifteen minutes that you will no doubt be listening to again and again.

-Rick Ecker

Sunday, November 19, 2017

Ripple Music releases the self-titled album by Heavy Rockers, Freedom Hawk

It's finally here!!  Out of print for years, Ripple Music is proud to unleash the self-titled album by Stoner/Doom legends Freedom Hawk!  Unavailable on vinyl for years, we'll be releasing two editions, the "Red Freedom" Limited Edition milky clear vinyl with Red and Gold splatter, and the World-wide "Midnight Black" Edition.  "Red Freedom" limited to only 80 copies available, so you may want to hurry.  CD digipack also available.

All editions on sale now at and be sure to check for digital and vinyl over at

Wrapped in core metal tones with slight psychedelic edges Freedom Hawk’s driving beat and heavy guitars offer the kind of timeless vocals that gave light to the dawn of the new and heavy revival.

“Freedom Hawk, for instance, is the soundtrack to cold kegs, warm weather, and backyard barbecue. Jams like “On the Other Side” and “My Road” were made for: worshipping at the Super Fuzz altar. James Gang riffs groove it up behind singer T.R. Morton’s excellent Ozzy/Pepper Keenan impression throughout seven songs of bong-loaded bliss.” --- Invisible Oranges
Ripple Music, based in California, is widely regarded as one of the world's leading purveyors of Heavy Psych, Stoner, Doom, and Heavy Rock.   All releases are available world wide through our distributors and the Ripple website.  Check us at

Friday, November 17, 2017

Ripple Music sets December 8th, 2017 as official release date for Switchblade Jesus / Fuzz Evil "Chapter 7: The Second Coming of Heavy" split!

Fuzz Evil:
Formed in 2014, Fuzz Evil is a chug-heavy 3 Piece that tames the fuzziest guitar and bass tones on the planet and wields them to blast a monolithic speaker-ripping fuzzapocaplyse for your ears and soul. Raw and dirty in "Stooges-like" fashion with soaring soulful vocals. Fuzz Evil released their first single, “Glitterbones” on a 7” split with the California trio Chiefs on Battleground records in 2014. In 2016 they followed up the single with a full self-titled debut release on Battleground records.  In the past few year they have gone through a few line-up changes. The current line-up is Orgo Martinez on drums, Wayne Rudell on guitar and vocals, and his brother Joey Rudell on bass and vocals.

Switchblade Jesus:
From the depths of Texas, Switchblade Jesus returns with a heaviness and deep grooves that succeed their previous recordings. Mixing southwestern boogie, desert-worn blues, retro-metal assault and fierce rocking into a sound that screams Texas–at times sanguine and starkly beautiful, at others full of damn sexy groove and assaulting violence can only describe the music of Texan power rocking, fuzzed out stoner blues trio, Switchblade Jesus.

Consisting of Eric Calvert (Vox/Guitar) Jon Elizondo (Drums) and new comer Chris Black (bass) to the fold to create a new chapter in Switchblade Jesus, more Doom and Gloom but no lack of the groove that the Texan's brought in the beginning.

Influenced by Black Sabbath, Led Zeppelin, Motorhead, High on Fire, Melvins, Church of Misery, Deep Purple, ZZ Top, DOWN, Orange Goblin, Clutch, Sleep.

Thursday, November 16, 2017



The new album,“I Am Legion”, by Swedish blackened thrash metallers WITCHERY is out NOW via CENTURY MEDIA RECORDS!

Read below to find out what the critics have to say about the release!

- 6/7 Points Review - # 1 in Soundcheck – Metal Hammer (DE)
- 8/10 Points - # 6 in Soundcheck – Rock Hard (DE)
- 11/15 Points - # 7 in Souncheck – Legacy (DE)
- 8/10 Points Review – Rock Tribune (BE)

- “…a perfect mix of death, black and thrash metal” - 85/100 Points Review – Aardschok (NL)
- "Fast and furious" - 7/10 Points Review – Metal Hammer (UK)

- "Another excellent release by these Swedes!” - 85/100 Points Review – Lords Of Metal (NL)

- "...a blackened treasure of metal oozing with maniacal fury" - 9.5/10 Points Review – Metal Wani

As with last year’s previous album “In His Infernal Majesty’s Service”, “I Am Legion” was created in the WITCHERY line-up consisting of Angus Norder (Vocals), Jensen (Guitar), Rickard Rimfält (Lead Guitar), Sharlee D’Angelo (Bass) and Chris Barkensjö (Drums). The album was also produced and mixed by Daniel Bergstrand at Dugout Studios (Behemoth, In Flames, Meshuggah) and comes packaged in powerful artwork by Andreas Diaz Pettersson.

WITCHERY – “I Am Legion” (39:50):
1. Legion (01:13)
2. True North (04:08)
3. Welcome, Night (03:55)
4. Of Blackened Wing (04:17)
5. Dry Bones (03:59)
6. Amun-Ra (03:29)
7. Seraphic Terror (03:34)
8. A Faustian Deal (03:41)
9. An Unexpected Guest (04:05)
10. Great Northern Plague (01:49)
11. The Alchemist (05:34)

The album’s first single “True North” and its video by Niklas Sundin / Cabin fever media is here:

The album’s second single “Of Blackened Wing” and its video by Martin Hultgren / Gryt Film is here:

The album’s third single “Welcome, Night” and its lyric video by Cloud Music Typography is here:

A brief trailer for “I Am Legion” can also be seen here:

Stream /Download “I Am Legion” now at

11/25     Bogotá, CO - Festival del Diablo III
2/1-5     70,000 Tons Of Metal (USA) Cruise
3/2-4     Tilburg, NL - Netherlands Death Fest
4/27-28 Erica, NL - Pitfest

Angus Norder – Vocals
Jensen – Guitar
Rickard Rimfält – Lead Guitar
Sharlee D’Angelo – Bass
Chris Barkensjö – Drums

WITCHERY Discography:
Restless & Dead – 1998
Witchburner / EP – 1999
Dead, Hot And Ready – 1999
Symphony For The Devil – 2001
Don't Fear The Reaper – 2006
Witchkrieg – 2010
In His Infernal Majesty’s Service – 2016
I Am Legion – 2017

WITCHERY online:

LÅNGFINGER: "Say Jupiter" Video From Gothenburg Power Trio Now Playing At The Obelisk

[Photo by Edko Fuzz]

View / Share LÅNGFINGER's "Say Jupiter" HERE.

Gothenburg power trio LÅNGFINGER is pleased to unveil latest video, "Say Jupiter." The tune comes by way of their Crossyears full-length, released last year via Small Stone.

Directed, produced, and edited in a restaurant kitchen by Anders Bryngel, the clip is currently playing at The Obelisk who issues, "I don't know who in LÅNGFINGER's world owns a restaurant and decided to give the three-piece access to the kitchen for the purposes of the Anders Bryngel-directed clip, but the results are pretty hilarious. As anyone who's ever made one can tell you, a good meal is as much about preparation as it is about the taste of the outcome, and whether they're in the kitchen rocking out or in the front of the house getting the royal treatment from the waitstaff - also played by them - bassist/vocalist Victor Crusner, guitarist/backing vocalist Kalle Lilja and drummer/backing vocalist Jesper Pihl seem to be having a great time putting it altogether. Whatever dinner turns out to be, it's apparently a pretty transcendent experience. Must've had a lot of garlic. God damn, I love garlic."

Watch "Say Jupiter," courtesy of The Obelisk, at THIS LOCATION, where you can also view the band's previously-released "Fox Confessor" video.

The ten-track Crossyears full-length was recorded by Johan Reivén and Olle Björck at Sweden's Welfare Sounds Studio with additional recordings by LÅNGFINGER at Beduin HQ, mixed by Olle Björck, and mastered by Daniel Johansson. Wrote Sea Of Tranquility in a 4/5 review, "If you love albums like Mountain's Climbing!, any of Led Zeppelin, Humble Pie, and Grand Funk Railroad's first few, and even The Who's Who's Next, you'll find plenty to sink your teeth into here on Crossyears. Add LÅNGFINGER to the already healthy list of outstanding Swedish retro rockers who are keeping the sounds of the '70s alive."

Stream Crossyears in full HERE where the album is available for purchase.

A truly kick ass power trio is quite possibly the perfect rock formation. If there aren't that many trios around, that's because it's a hard thing to pull off: with just three people having to nail the rhythmic fusion of bass and drums, the wild colors of guitar, and the soul-grabbing focus of the human voice, there can be no passengers aboard. Extraordinary chemistry is essential. Everyone has to be right on it, and locked in. Which is why lots of trios fail, or cop out, and recruit extras.

The members of LÅNGFINGER, hailing from the fertile rock 'n' roll city of Gothenburg, are masters of the art. They've been playing together since they were in their early teens, and their imminent third album is both the thrilling culmination of their collective endeavor, and a rumination on it - on how time has shaped them and brought them to this point. Within its hard-hitting grooves, the interlocking of LÅNGFINGER's three disparate characters - Kalle Lilja, the unflappable, precision axeman; Jesper Pihl, the athletic sticksman battering out physical revenge on his kit; and Victor Crusner, the intense, exploratory spirit, bridging thundering bass and howling exorcism - is a magical proposition.

Wednesday, November 15, 2017

The Xroadie Files

Primitive Man – Caustic
Ethan Lee McCarthy – Guitars/Vocals, Jonathan Campos – Bass, Joe Linden – Drums

My Will lots of feedback and slow plodding droning riffs with vocals from the mouth of a demon.  Victim more feedback and fuzz with a slightly mid-tempo beat and vocals that sear your soul.  Caustic noise from hades and other places beyond the grave then Commerce starts a slow plodding demonic marching from hell.  Tepid has feedback that hurts the ears and more slow plodding demonic sounds form the underworld.  Ash works its way into your brain with a screech then Sterility pounds you into submission then back to a slow march to hades.  Sugar Hole grinds its way into your very being sucking all of the light out.  The Weight has all the sounds of hell bearing down on you and just devouring your mind then Disfigured grabs your soul and rips it out.  Inevitable is just what it says the end of your sanity.  Absolutes feedback and strange sounds that slowly drive you insane totally.

Profetus – Coronation Of The Black Sun
V Kajansuu – Drums, Eppe Kuismin – Guitar, A Makinen – Guitar/Vocals, S Kajunssu – Keyboards

Skull Of Silence slow and steady Sabbath like rhythms that seems to be coming from a witches coven black mass.  The Eye Of Phosphoros grinds even deeper and darker into the black pit of nothingness.  Coalescence Of Ashen Wings growling grinding deep into your very being and just converting your soul to darkness.  Blood of Saturn worming its way up behind you grabbing your throat and just strangling the life out of you.  Saturine Night hidden deep in your sub conscious is lost emotions. Winter Solstice is just dark deep growling lost in the woods for your life music and vocals.  Blood of Saturn Live completes this horror music fest.

Purple Hill Witch – Celestial Cemetery
Kristian – Guitar/Vocals, Andreas- Bass, Oyvind – Drums

Ghouls In Leather guitar feedback slowly builds then bass comes in then the drums these guys were definitely influences by old Sabbath.  Harbinger of Death heavy riffs pounding drums and bass slow Sabbath stoner rock.  Celestial Cemetary continues the doom stoner festival that will have you just tripping away with some excellent lead guitar.  Around The Universe takes back to the early days of Black Sabbath and just slow emotional tripping music.  Menticide head banging heavy metal that just envelopes you and takes you away to another time and place.  The First Encounter could be on one of the first few Sabbath albums and fit in very well great moody heavy metal with some excellent searing lead guitar.  Burnt Offering ends this doom fest correctly with lots of great playing and emotion.

Shine Bright – More Wild Than The Wind
Spenser Sorensen - , Michael Burton –Guitar  , Zane Waltrous,-Vocals  Jordan Talley - Bass, Tailor Neilson-  Guitar

Grow Up hard core/pop punk vocals and interesting riffs with some excellent drumming.  Jamais Vu is slightly more melodic at the start the goes back and forth from hardcore to pop punk.  Remorse lots of feedback and a grinding riff with gruff yelling vocals.  With A Heavy Heart punches away at you and has some twists and turns.  More Wild Than The Wind has an excellent Green Day style of beat and some interesting vocals.


Tuesday, November 14, 2017

Norwegian/English dreamy folk duo Tuvaband Release new Single 'Mess'

“Heavenly melody merges with intriguing electronics” (Clash)

“Atmospheric” (Alt Press)

“Melancholic music has never felt so good” (Wonderland)

“We recorded and produced the EP in each of our flats. After recording, we got help from Jonas Kjølstad of At The Loft Records to create the sound to be a mix between our first demos, Lisa Cranner’s music, and Bon Iver’s first album.”

Tuvaband is a Norwegian/English duo made of Tuva Hellum Marschhaüser and Simon Would. Their sound is a melancholic dream world of indie and contemplative lo-fi folk aesthetics influenced by Bon Iver. However you describe their sound, it’s quickly gaining mass appeal. Since their first release one year ago their songs are already pushing 13 million Spotify plays. Their new single, “Mess” is a poetic song gently balancing piano and acoustic guitar with Tuva’s voice. The effect is an immersive listening experience that invokes imagery of a bird guarding an empty nest from predators.

With comparisons to the likes of Laura Marling and The Staves, Tuvaband have regularly been named as one of the best new Scandinavian bands currently looking to dominate the UK’s music scene. And with songs like these, it is easy to see why so many have already fallen for their charm.

About the EP, the band says, “We recorded and produced the EP in each of our flats. After recording, we got help from Jonas Kjølstad of At The Loft Records to create the sound to be a mix between our first demos, Lisa Cranner’s music, and Bon Iver’s first album.” Overall, the EP feels like a beckoning call to return to nature, which also means disconnecting from the electronics that rule our lives. The lyrics are sophisticated and artistic, gracefully narrating stories like a choir of birds in a tranquil forest. ​​​​​​​

Tuvaband’s Mess EP is out NOW on Brilliance Records.

Mess EP
T R A C K L I S T:

1. Mess
2. Eventually Silence
3. Trees
4. She's Nothing Like A Child
5. Outro
6. The Observer

EXCALIBUR IV - THE DARK AGE OF THE DRAGON The Rock Opera Album Featuring Members of Jethro Tull, Saga, Uriah Heep, Curved Air, Clannad, Supertramp and others! OUT NOW!

EXCALIBUR IV is the widely anticipated fourth NEW STUDIO ALBUM in the Celtic Rock Opera series, following on from the GOLD and PLATINUM selling original trilogy. EXCALIBUR IV was played live in its entirety to 12 ARENAS in Germany in December 2016 and will be touring again in 2018.

Released on Babaika Productions, via Cherry Red Records, the album features appearances by:
Alan Stivell
Michael Sadler (Saga)
Jesse Sibenberg & John Helliwell (Supertramp)
Martin Barre (Jethro Tull)
Moya Brennan (Clannad)
Roberto Tiranti (Labyrinth)
Bernie Shaw (Uriah Heep)
Siobham Owen
Sonja Kristina (Curved Air)
John Kelly (The Kelly Family)
Maite Itoiz (Elfhental)

Excalibur – the legendary rock opera is back!
After a thousand years of imprisonment, Merlin – the wizard – finally escapes from Morgana’s spell. Initially intrigued by the beauty of the new world that he returned to, he soon discovers the decay of knightly and sublime virtues, which once had been so bravely defended by King Arthur’s roundtable. An enraged Merlin casts his biggest spell over this world and brings the mighty dragon to life. A epic return of the legendary Celtic rock opera on to German stages, a new chapter in the saga around the sword Excalibur – this is “EXCALIBUR - The Dark Age Of The Dragon”.

A trailer for the album can be seen here:

Track List:


To purchase EXCALIBUR IV:

For more information:
Alan Simon's official website:

Monday, November 13, 2017



Negativehate began in 1995 and have had a lot of ups and downs and especially lineup changes, but the one thing that remained after all of this was the guarantee of music that is challenging and full of emotion and talent. Based in Monroe, NY the band is comprised of Mike Stewart (keys, vocals), Eric Stewart (bass), Chuck Scandura (guitar, vocals), Sergio Sanchez (drums), and Freedom Scheyd (guitar, backing vocals).

The music is a mix of many styles; ambient, prog rock, alternative and post metal, but it all seems to work in their favor creating a sound that will astound and confound in places. The songs are mostly long and do have meandering parts like “The Expansion of the Universe (via magnification of the infinitesimal)” does, but you find yourself just going along and floating during those moments and then when it gets heavy and the growled, almost death metal vocals come in, it fits perfectly. The songs on the album are conceptualized after a story of the same name also written by the band, so it has a definite meaning to it and actually makes for a great listen. This is not an album to throw on and party along to, unless you have really weird parties….and I want to party with you! This is one of those listen to it in one shot to get the full effect of the music, even though you will find tracks that stand out more for you, like I did with “The Expansion of the Universe (via magnification of the infinitesimal)”. The songs do flow from one to the next without a lot of difference between them, but that’s not a complaint, it just makes the whole thing work in ways that most just can’t seem to do.

Give your ears a treat and freak them out a bit with the time changes, vocal variations and other non-traditional sounds on here and let them grow and evolve into something better than just holes where sound goes in, but turn them into something special and lovely, but demented at the same time. A great listen and one that just seems to get better the more I listen to it.

-Rick Ecker

Sunday, November 12, 2017

A Ripple Conversation With Andrew Field, Founder Of APF Records

How long have you been doing this and what got you started running an independent record label?

I started APF Records in the Spring. I go to around a hundred gigs a year in Manchester, where I live, and have gotten to know a load of the bands who play locally as a result. Many of them don’t have record deals, or the money to self-release, so in simple terms I decided I’d see if they wanted someone to release their stuff for them. APF Records began when a three-piece from Stockport, called Under, said yes.

What motivated you? Why here, why now? 

I'm just a big old fan of music. I'm in my mid-40s now but have been passionate about hard rock and heavy metal since stumbling across my first love (Rush) in the 1980s. I turned to stoner rock with Kyuss, doom with Trouble and sludge with Helmet in the early 1990s, and my taste has gotten ever more downtuned and more underground with each passing year. Back in my youth I was a drummer, but I long ago hung up my drum sticks. I wanted to be a part of underground music, more than just a punter, and having a business brain I thought I might do OK running an independent label.

The “why here” and “why now” is because the UK has such a vibrant, exciting and burgeoning underground so is the perfect place for a small label. And for the first time in my life I have the time, money, energy and excitement these days to pile everything of me into it.

What's your prior history in the music world? 

Apart from being a fan, the only music world experience I have is a short stint working at EMI records in London in the 1990s in the press office. I didn’t last long: I got frustrated that they wouldn’t spend money on (or let me work on) their rock and metal releases, so I spent my days dealing mostly with manufactured teen bands and Cliff Richard. Then one day I put Adam Ant on hold for half an hour by accident and had a massive falling out with my boss and walked out before I could be fired.

What will be your first release?

My first release was Under’s “Slick” album back in May. Since then I’ve released albums, singles and EPs by Diesel King, Blind Haze, Mastiff, The Wizards Of Delight, Tronald, RedEye Revival and Ba’al. At the end of November I release BongCauldron’s album “Binge”. Next year I have a host of stuff coming out including new material from Desert Storm, Pist and Nomad.

Any special projects planned? 

The one I’m most excited about is a gig I’m putting on in Manchester in February which my entire roster is playing on. 15 bands. It’s probably the only time it will ever happen. We’re getting a photo taken with me and all the boys and girls in the bands. That’s gonna be an amazing moment.

I’ve just signed a worldwide distribution deal with Cargo Records, abd the thought that my releases will now be sold in record shops in Japan blows my mind.

Are you looking to tap into a particular local scene or were you aiming to capture a sound?
A bit of both. When APF started I just wanted to sign bands based in northern England who played sludge, doom or stoner rock. But then I signed Diesel King from London and Desert Storm from Oxford, so go figure. I have no plans to sign anyone from overseas at this time, but will never say never.

Tell us about the label Name and logo.  

After Under said they wanted to sign with me, I had just a month to get their album “Slick” manufactured. I spent a week trying to come up with a clever name, but couldn’t settle on one. So I went with my initials. The logo was designed by a dude I know through the scene. It was the first idea he came up with and I immediately loved it.

There's so much to learn about running a label, share with us some of the lessons you're learning along the way.

I was very lucky to have several friends who run independent labels who offered guidance and advice (Chris West of Superhot, Leigh Jones of Riff Rock, Jay Ackerman of Hevisike, Gareth Kelly of When Planets Collide, and James Kidd of UMC). I still call on them now occasionally, though I’ve learned so much in the last 9 months.

I guess the biggest lessons I’ve learned are twofold: 1. Don’t get overexcited and order too many CDs, because people don’t buy music like they used to. And 2. Getting reviews for your releases without using a PR firm is challenging.

What changes do you see ahead for the music industry?

I leave that kind of introspection to others. I have no aspiration to make money from my label, or for it to be something that I make a living out of. All I want to do is release great music that enough people buy that I break even on each release. If I can shift 500 vinyls, 500 CDs and some digital downloads for each of my bands that will make me happy.

What will you do to stay on top of new and emerging technology?
Well the record industry doesn’t seem that arsed about emerging technology as I see it. Look what’s in vogue at the moment, especially at my label’s level: vinyl, cassettes, streaming and YouTube. Two of them have made a return, and the other two have been around for ages. CDs wil come back too, mark my words. I’ll keep an eye on developments, but won’t pretend I’ll be on top of them.

What's the biggest challenge facing you today as an independent label?

Breaking even, and getting my music heard by enough people to break even whilst working within a very limited budget. Those are the only things I fret about. I love every other aspect of running my label.

Seems like there are a lot of independent heavy labels emerging these days.  What will you do to set yourself apart? 

I don’t know how to say this without coming over like a narcissist, but my label is different because of me. I was able to start it because I was well-known in the Manchester underground heavy music scene. It has grown through sheer will on my behalf, on almost no budget and largely without any PR. I’ve sold myself as much as the label brand and it seems to have worked.

Those of a certain age will remember Remington shavers and their television adverts in the late 1970s, where the President of Remington Victor Kyam used to say “I liked the razor so much I bought the company”. The advert was a hit and he appeared in all their marketing from them on. I guess I’m a bit of a modern day Victor Kyam: people know me as much as APF Records, and I’m content with that. When I look at other labels I see the brand and not the individuals behind it. I’m almost the reverse of that.

What do you look for in your bands?

When I set up APF Records I just wanted great bands on the label who made music that blew me away. Going forward I’ll be looking for a bit more than that. They must be dedicated to the stuff that comes with releasing a record: willing to engage on and in social media, do good interviews, and play live a lot. I will also be looking closely at bands before I sign them to make sure they all get on. Band members not being on the same page is a license for disaster.

I would never sign a band whose music didn’t move me, or a band where the members were not nice people. Life’s too short.

How do you find your artists?  Are you a club rat, constantly searching live venues for cool acts?

I’ve found everyone so far by going to so many gigs. The ones I love the most are all-dayers with 10 to 15 bands playing 30 minute sets. With one exception, all the bands on APF I knew from loving their bands – and telling them I love them at their gigs.

What are you looking for now?

A rest. I’ve put 10 releases out in 9 months. After BongCauldron’s “Binge” comes out on 30th November I have nothing scheduled until Desert Storm’s “Sentinels” drops in March 2018. I’m looking forward to some chill time.

Are you involved in all the creative decisions?

No. I stay away from the studio unless the bands invite me along, and I let them commission their own artwork. If they want my involvement they can have it, and they know that. But most of them don’t need it.

What would you like to see happen for the future of the music industry and your label in particular? 

When people are chatting about cool heavy labels I’d like them eventually to add “and APF Records” at the end of a sentence starting with “yeah man there’s some killer stuff on New Heavy Sounds, Riding Easy, Ripple Music, Hevisike”.

Anything else you'd like to share with the waveriders? 

Streaming is easy and cheap, but if you love a band you hear online go buy their record. Or some of their merch. Or go see them live. Cos without that, we’re all doomed.

Best of luck man.  Ripple will be there every step of the way to support you in any way we can.

Love your work! Keep on keeping on. xx
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